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The Ricoh 2A03's sound hardware has 5 channels, separated into two APUs (Audio Processing Units). The first APU contains two general purpose pulse channels with 4 duty cycles, and the second APU contains a triangle wave generator, an LFSR-based Noise generator, and a 1-bit Delta modulation-encoded PCM (DPCM) channel. While a majority of the NES ...
An overhead condenser is a heat exchange equipment used for condensing the mixture leaving the top of the column. Either cooling water or air is used as a cooling agent. An overhead accumulator is a horizontal pressure vessel containing the condensed mixture. Pumps can be used to control the reflux to the column.
Designing and maintaining systems and processes using condensers requires that the heat of the entering vapor never overwhelm the ability of the chosen condenser and cooling mechanism; as well, the thermal gradients and material flows established are critical aspects, and as processes scale from laboratory to pilot plant and beyond, the design ...
A sound engineer at the controls of a SSL9000J mixer. Most, but not all, audio mixers can use monaural signals to produce simulated stereo sound through panning. provide phantom power required by condenser microphones. Some mixers can add onboard external effect units (reverb, echo, delay). Mixers with onboard digital effects typically offer a ...
Liebig condenser. The Liebig condenser (/ ˈ l iː b ɪ ɡ /, LEE-big) [1] or straight condenser is a piece of laboratory equipment, specifically a condenser consisting of a straight glass tube surrounded by a water jacket. In typical laboratory operation, such as distillation, the condenser is clamped to a retort stand in vertical
Vapor compression distiller made by BRAM-COR (Italy) Vapor-compression evaporation is the evaporation method by which a blower, compressor or jet ejector is used to compress, and thus, increase the pressure of the vapor produced.
The condenser microphone, invented at Western Electric in 1916 by E. C. Wente, [22] is also called a capacitor microphone or electrostatic microphone—capacitors were historically called condensers. The diaphragm acts as one plate of a capacitor, and audio vibrations produce changes in the distance between the plates.
Microphones can be thought of as speakers in reverse. The sound waves strike the thin diaphragm, causing it to vibrate. [1] Microphone diaphragms, unlike speaker diaphragms, tend to be thin and flexible, since they need to absorb as much sound as possible. In a condenser microphone, the diaphragm is placed in front of a plate and is charged. [2]