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Title page of the scores for Louis Lully's Orphée and Henri Desmarets' Circé, published by Philidor in 1703. Henri Desmarets [1] (February 1661 – 7 September 1741) was a French composer of the Baroque period primarily known for his stage works, although he also composed sacred music as well as secular cantatas, songs and instrumental works.
Te Deum stained glass window by Christopher Whall at St Mary's church, Ware, Hertfordshire. The Te Deum (/ t eɪ ˈ d eɪ əm / or / t iː ˈ d iː əm /, [1] [2] Latin: [te ˈde.um]; from its incipit, Te Deum laudamus (Latin for 'Thee, God, we praise')) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. [3]
Marc-Antoine Charpentier composed six Te Deum settings, but only four of them have survived (H.145, H.146, H.147, H.148). [1] Largely because of the great popularity of its prelude, the best known is the Te Deum in D major, H.146, written as a grand motet for soloists, choir, and instrumental accompaniment probably between 1688 and 1698, during Charpentier's stay at the Jesuit Church of Saint ...
The year 1687 in music involved some significant events. ... During a performance of his own Te Deum, ... 2 e 3 voci con violini, e senza, ...
Dettingen Te Deum; Queen Caroline Te Deum; Utrecht Te Deum and Jubilate; J. Te Deum (Jenkins) K. Te Deum (Kodály) P. Te Deum (Pärt) R. Te Deum (Reulein) S. Festival ...
Marc-Antoine Charpentier (French: [maʁk ɑ̃twan ʃaʁpɑ̃tje]; 1643 – 24 February 1704 [2]) was a French Baroque composer during the reign of Louis XIV.One of his most famous works is the main theme from the prelude of his Te Deum H.146, Marche en rondeau.
Beldwin's copy includes some sections of the Te Deum and Benedictus from the Morning Canticles, given in score. Recent research suggests that it may have been composed somewhat earlier, for a copy in the York Minster part-books (York Minster MS 13/1-5) made by the singer John Todd about 1597-99 describes it as 'Mr Byrd's new sute of service for ...
Jacquet de La Guerre's early trio sonatas and violin/viola da gamba sonatas survive only in manuscript sources in Paris. The rest of her output is thought to have been published in her lifetime, although Titon du Tillet mentioned a lost Te Deum setting in his tribute to Jacquet de La Guerre.