Search results
Results From The WOW.Com Content Network
Mary Magdalene as Melancholy is a 1622–1625 painting by Artemisia Gentileschi, showing Mary Magdalene as a personification of Melancholia. It is now in the Museo Soumaya in Mexico City.
Penitent Magdalene is a 1616–1618 painting by the Italian baroque artist Artemisia Gentileschi.This painting hangs in the Pitti Palace in Florence. [1] The subject is the biblical figure Mary Magdalene, but the painting references another biblical woman, Mary, the sister of Lazarus. [2]
Mary Magdalene (Perugino) Pazzi Crucifixion; Pietà (Titian) Pietà (Bramantino) Pietà (Bronzino, 1529) Pietà (Perugino) Pietà (Ribera, Madrid) Pietà (Ribera, Naples) Pietà (Stanzione) Pietà with Saint Francis and Saint Mary Magdalene; Pietà with Saints Clare, Francis and Mary Magdalene; Pieve di Sant'Andrea (Cercina)
Penitent Magdalene is a painting by the Italian artist Artemisia Gentileschi. It hangs in Seville Cathedral. It has probably been in the cathedral since the late 17th century. [1] She returned to the subject later in the 1620s in Mary Magdalene as Melancholy.
Penitent Magdalene: 1630s Private Collection 49 x 39.7 cm. MET (Figure 98.) Madonna and Child: c. 1630: Palazzo Pitti, Florence 118 x 86 cm. 2129 MET (Figure 107.), WB (1) Susanna and the Elders: c. 1630: Nottingham Castle: 162.5 x 121.9 cm. NCM 1964-77 MET (65 (related pictures: Nottingham)) Annunciation: 1630 Museo Nazionale di Capodimonte ...
Penitent Magdalene (Artemisia Gentileschi) Portrait of a Gonfaloniere; Portrait of a Lady Holding a Fan; Portrait of a Lady, dressed in a gold embroidered costume; Portrait of a Nun (Artemisia Gentileschi)
They both show more of Mary Magdalene's flesh and shoulder than versions by other artists, suggesting an erotic charge to the devotional scene. [1] Other symbols that were typically used to demonstrate her repentance—skull, candle, ointment jar—are absent, leading art historians to focus on the more sensual feel of the painting in their ...
Art historian Mary Garrard believes that Judith Slaying Holofernes portrays Judith as a "socially liberated woman who punishes masculine wrongdoing". [13] Although the painting depicts a scene from the Bible, art historians have suggested that Gentileschi drew herself as Judith and her mentor Agostino Tassi , who was tried for and convicted of ...