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Twisting and curving line forms have a long history in art and design. Whiplash curves have similarities with the arabesque design, used particularly in Islamic art, such as the ceramic tiles of the mosque of Samarkand in Central Asia. Curvilinear design is a noticeable element of Gothic architecture, in, for example, church window tracery.
The hidden edges would be dashed lines. A wire-frame image using hidden-line removal. Removing hidden lines is important in computer design and graphics applications. There are algorithmic solutions to remove hidden lines or partially hidden lines during an object's rendering.
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
Vikramaditya Prakash is the son of Indian modernist architect Aditya Prakash.In an interview with the University of Washington, Prakash said that in trying to organize his father's extensive archive he and three volunteers started organizing his father's papers."It turned out there were over 1,000 architectural drawings, about 200 paintings, 600 art drawings, archival photographs, all kinds of ...
Serpentine lines from Hogarth's The Analysis of Beauty. Line of beauty is a term and a theory in art or aesthetics used to describe an S-shaped curved line (a serpentine line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects.
Art Nouveau line art. Line art emphasizes form and drawings, of several (few) constant widths (as in technical illustrations), or of freely varying widths (as in brush work or engraving). Line art may tend towards realism (as in much of Gustave Doré's work), or it may be a caricature, cartoon, ideograph, or glyph.
She combined art and architecture in her draftsmanship, and was known to have an "exceptional feel" for linear compositions that integrated architecture with nature. Her interest in Japanese prints gave her several unique compositional techniques of color, depth, emphasis, and line weight that played a crucial role in the development of the ...
Neoclassical bead and reel on a piece of textile, by Séquin & Co. fro, Lyons, 1811, silk plain weave with silk brocading wefts, Philadelphia Museum of Art Art Nouveau frieze with festoons , bordered at the top by a bead and reel strip, in Calea Dorobanților no. 50A, Bucharest , Romania , unknown architect or sculptor, c. 1900