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The Splatoon franchise has produced live performances based on the idol groups in video games as a part of events like Niconico festivals and Nintendo Live. Since 2019, the concerts have introduced the real-life band segment that plays the Splatoon soundtrack not associated with specific idol group, serving as an opening act to the main event.
Splatoon [a] [b] is a third-person shooter video game franchise created by Hisashi Nogami and Shintaro Sato, and developed and owned by Nintendo.Set in the far future on a post-apocalyptic Earth inhabited by anthropomorphic marine animals, the series centers around terrestrial cephalopods known as Inklings and Octolings — based on squids and octopuses respectively — which can transform ...
Splatoon was the first game in the Splatoon series, and the first to feature Callie and Marie as characters. Callie and Marie appear as the hosts of the game, and news reporters of Inkopolis. [ 4 ] The two also appear in the games campaign under the aliases Agent 1 and 2. [ 3 ]
Pearl and Marina are a duo of characters from the Splatoon video game series. They were first introduced in Splatoon 2 (2017) as members of a pop music act known as Off the Hook (テンタクルズ, Tentakuruzu, "Tentacles" in Japanese), [3] who perform a variety of songs which is utilized as in-game music.
Splatoon [a] is a 2015 third-person shooter video game developed and published by Nintendo for the Wii U.The game centers around Inklings—anthropomorphic cephalopodic lifeforms that can transform between humanoid and cephalopod forms and frequently engage in turf wars with each other and use a variety of weapons that produce and shoot colored ink while in humanoid form, or swim and hide in ...
This is a category containing musical artists who produce, perform, write, or DJ phonk music. Pages in category "Phonk musicians" The following 4 pages are in this category, out of 4 total.
In Splatoon 3, a new "Tricolor Turf War" mode can be played during the second half of a Splatfest, where one team of four players defends an "Ultra Signal" at the center of the map from two teams of two attacking players. When an attacking team takes control of the Ultra Signal, it will summon a "Sprinkler of Doom", which will automatically ink ...
Naganuma's early sound is often labelled as an energetic, rhythm-heavy blend of hip hop, electronic, dance, funk, jazz, and rock. [20] [21] [22] His music was produced to match the visual style of the games he was working on as closely as possible, and experimented with voices, cutting and rearranging samples to the point that they become nonsensical. [21]