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The story also inspired the production of Butterfly Lovers' Violin Concerto, or Liang Zhu Violin Concerto as known in Chinese, a work for violin and orchestra. It was composed by He Zhanhao and Chen Gang in 1958. The piece has been the most musically symbolic retelling of the legend; at 25 minutes and 40 seconds long, it has now become a ...
In Korea, the story focuses on Jicknyeo, a weaver girl who falls in love with Gyeonwoo, a herder. In Japan, the story revolves around the romance between the deities, Orihime and Hikoboshi. In Vietnam, the story is known as Ngưu Lang Chức Nữ and revolves around the story of Chức Nữ, the weaver, and Ngưu Lang, the herder of buffalos.
During the stay, the maiden falls in love with Dong Yong. He is a poor worker who had sold himself into servitude to pay for his father's funeral. With help of the other fairies, the seventh fairy managed to weave ten pieces of brocade for Dong Yong to pay off his debt, shortening his indenture to 100 days.
The literary critic and sinologist Andrew H. Plaks writes that the term "classic novels" in reference to these six titles is a "neologism of twentieth-century scholarship" that seems to have come into common use under the influence of C. T. Hsia's The Classic Chinese Novel.
Set in around 600 BC during the Spring and Autumn period, a young and unmarried lady named Su'e (素娥) dreams of being taught the art of love-making by Taoist master Hua Yue (華月). [5] First using her newfound sexual prowess to attain eternal youth, [ 5 ] she then seduces multiple men until she is stopped by a rival Taoist master who ...
Portrait of the playwright, Tang Xianzu The first page of Tang Xianzu's preface to The Return of the Soul at the Peony Pavilion. The Peony Pavilion (Chinese: 牡丹亭; pinyin: Mǔdān tíng; Wade–Giles: Mu-tan t'ing), also named The Return of Soul at the Peony Pavilion, is a romantic tragicomedy play written by dramatist Tang Xianzu in 1598.
The Zhuangzi (historically romanized Chuang Tzŭ) is an ancient Chinese text that is one of the two foundational texts of Taoism, alongside the Tao Te Ching.It was written during the late Warring States period (476–221 BC) and is named for its traditional author, Zhuang Zhou, who is customarily known as "Zhuangzi" ("Master Zhuang").
The story is now counted as one of China's Four Great Folktales, the others being the Legend of the White Snake (Baishezhuan), Butterfly Lovers, and The Cowherd and the Weaving Maid (Niulang Zhinü). [1] Chinese folklorists in the early 20th century discovered that the legend existed in many forms and genres and evolved over the last 2,000 ...