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Seymour Duncan's best selling pickup model is the SH-4 "JB Model" humbucker, that originated from a pickup Duncan made in the early '70s for his hero Jeff Beck who had the PAF pickups switched out of his guitar by a dishonest guitar tech. Beck used the pickups in his seminal release "Blow By Blow" in a guitar built for him by Seymour, dubbed ...
The standard N4 bears a Seymour Duncan SH1n (nicknamed the "'59 Model") at the neck position and a Bill Lawrence L500 at the bridge. Some confusion arises as Washburn has in the past installed pickups from both Bill Lawrence (doing business as Wilde Pickups) and Bill Lawrence USA (owned by Jzchak Wajcman). Bill Lawrence left the company Bill ...
As demand for his custom pickups grew, he started his own company with Cathy Carter Duncan, Seymour Duncan in 1976. [5] In the 90s, as a demand for vintage guitars began to rise, Duncan sought to replicate the tonal quality of '50s to '60s rock and roll through pre-aging specific pickups. The result was the Seymour Duncan Antiquity pickups.
The two were associated for nearly 20 years. In 1994, Duncan and Lover jointly produced the Seth Lover Model pickup, a re-creation of the "Patent Applied For" humbucker. After numerous full-page ads, NAMM Show appearances, and magazine interviews, Lover became a minor celebrity at age 84. During his final years, Lover was a regular member of ...
It started out as a US version of the Contemporary Stratocaster [1] and featured two Fender Texas Special pickups in the neck and middle positions, a Seymour Duncan '59 Jeff Beck Trembucker in the lead position, a white pearloid pickguard and a deluxe locking tremolo bridge. Later after Suhr left it was turned into a back-routed carved set neck ...
In the mid-1950s Gibson looked to create a new guitar pickup different from existing popular single coil designs. Gibson had already developed the Charlie Christian pickup and P-90 in the 1930s and 40s; however, these designs—like competitor Fender's single-coil pickups—were fraught with inherent 60-cycle hum sound interference.