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Relief of the Lion hunt of Ashurbanipal, British Museum Relief with Ashurbanipal killing a lion, c. 645–635 BC The king shoots arrows from his chariot, while huntsmen fend off a lion behind. The royal Lion Hunt of Ashurbanipal is shown on a famous group of Assyrian palace reliefs from the North Palace of Nineveh that are now displayed in room ...
"Winged genie", Nimrud c. 870 BC, with inscription running across his midriff. Part of the Lion Hunt of Ashurbanipal, c. 645–635 BC. Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant ...
The Lachish reliefs are a set of Assyrian palace reliefs narrating the story of the Assyrian victory over the kingdom of Judah during the siege of Lachish in 701 BCE. Carved between 700 and 681 BCE, as a decoration of the South-West Palace of Sennacherib in Nineveh (in modern Iraq), the relief is today in the British Museum in London, [3] and was included as item 21 in the BBC Radio 4 series A ...
The White Obelisk is a very large four-sided pillar made from white limestone with engraved decoration in relief on all sides of the obelisk, with an inscription at the top. The carvings show campaigns and recreational activities (including a hunt) of an Assyrian king that has been identified as either Ashurnasirpal I , Tiglath-Pileser II or ...
Possible representation of Enkidu as Master of Animals grasping a lion and snake, in an Assyrian palace relief, from Dur-Sharrukin, now Louvre. In Assyrian sculpture, the famous colossal entrance way guardian figures of lamassu were often accompanied by a hero grasping a wriggling lion with one hand and typically a snake with the other, also colossal and in high relief; these are generally the ...
The palace walls were lined with reliefs carved in alabaster. These reliefs bore elaborate carvings, many portraying the king surrounded by winged protective spirits, or engaged in hunting or on campaign. Each relief had text inscribed in it. This text was the same or very similar on each relief and is therefore called the Standard Inscription.
A motif appearing in several of Ashurbanipal's art pieces, for instance the Lion Hunt of Ashurbanipal, is the king killing lions, a propaganda image illustrating his glory and power, as well as his ability to safeguard the Assyrian people through slaying dangerous animals. [114] Various new elements can be seen in artwork produced under ...
File: Sculpted reliefs depicting Ashurbanipal, the last great Assyrian king, hunting lions, gypsum hall relief from the North Palace of Nineveh (Irak), c. 645-635 BC, British Museum (16722368932) (cropped).jpg