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Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
Ghiberti's St. John was the largest statue ever cast in Florence up to that point. From its base, it rises 2.55 meters, and sits in an arched Gothic niche. The hollow cast, the thinness of the bronze, and a comparison with his later St. Matthew all indicate that this sculpture was cast in one piece from a wax and clay model.
The Light of Truth Ida B. Wells National Monument is a bronze and marble public sculpture by artist Richard Hunt.Located in the Bronzeville neighborhood on the South Side of Chicago, the sculpture takes its name from a quote by civil rights activist and investigative journalist Ida B. Wells-Barnett (1862-1931): "The way to right wrongs is to turn the light of truth upon them".
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...
The Corpus donated to the Art Gallery of Ontario in Toronto was long believed to have been cast by an unknown French artist. In 2004, following new scholarly studies of the work, Corpus was attributed to Bernini, who cast the sculpture for his personal collection. [1] After being "lost" for over one hundred years, Corpus surfaced in Venice in ...
The sculpture shows the Incredulity of Saint Thomas, a subject frequently represented in Christian art since at least the 5th century and used to make a variety of theological points. Thomas the Apostle doubted the resurrection of Jesus and had to feel the wounds for himself in order to be convinced ( John 20:24–29 ).
The statue has been described as a "visual translation" of the Gospel of Matthew passage in which Jesus tells his disciples, "as you did it to one of the least of my brothers, you did it to me". [2] The bronze sculpture was intended to be provocative, with its sculptor, Timothy Schmalz commenting, "That's essentially what the sculpture is there ...
Christ Carrying the Cross, 1580, by El Greco, whose art reflects both his roots in Greek Orthodox traditions and the Catholic Counter-Reformation After Giotto , Fra Angelico and others systematically developed uncluttered images that focused on the depiction of Jesus with an ideal human beauty, in works like Leonardo da Vinci 's Last Supper ...