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The sculpture shows the Incredulity of Saint Thomas, a subject frequently represented in Christian art since at least the 5th century and used to make a variety of theological points. Thomas the Apostle doubted the resurrection of Jesus and had to feel the wounds for himself in order to be convinced ( John 20:24–29 ).
Sculpture Bronze (233 x 166 cm) 57 [70] Corpus: Art Gallery of Ontario, Toronto 1650 Sculpture Bronze Life-size 57 [70] Dead Christ on the Cross: Walters Art Museum, Baltimore 1657–1661 Sculpture Gilt bronze corpus on bronze cross Likely a later cast 57 [70] Decoration of Santa Maria del Popolo: Santa Maria del Popolo, Rome 1655 Sculpture ...
The Resurrection (La Resurrezione) is a bronze and brass sculpture by Pericle Fazzini in the Paul VI Audience Hall in Rome. [1] Intended to capture the anguish of 20th century mankind living under the threat of nuclear war, La Resurrezione depicts Jesus rising from a nuclear crater in the Garden of Gethsemane. Fazzini summarized the action of ...
The doors show relief images from the Bible, scenes from the Book of Genesis on the left door and from the life of Jesus on the right door. They are considered a masterpiece of Ottonian art , and feature the oldest known monumental image cycle in German sculpture, and also the oldest cycle of images cast in metal in Germany.
The Corpus donated to the Art Gallery of Ontario in Toronto was long believed to have been cast by an unknown French artist. In 2004, following new scholarly studies of the work, Corpus was attributed to Bernini, who cast the sculpture for his personal collection. [1] After being "lost" for over one hundred years, Corpus surfaced in Venice in ...
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
Ghiberti's St. John was the largest statue ever cast in Florence up to that point. From its base, it rises 2.55 meters, and sits in an arched Gothic niche. The hollow cast, the thinness of the bronze, and a comparison with his later St. Matthew all indicate that this sculpture was cast in one piece from a wax and clay model.