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Carmen Jones is a 1943 Broadway musical with music by Georges Bizet (orchestrated for Broadway by Robert Russell Bennett) and lyrics and book by Oscar Hammerstein II which was performed at The Broadway Theatre. Conceptually, it is Bizet's opera Carmen updated to a World War II-era, African-American setting.
In 1953, a talent search was conducted as 20th Century Fox began the process of casting an all-black musical film adaptation of Oscar Hammerstein II's 1943 Broadway musical Carmen Jones. This production had updated Georges Bizet's opera Carmen to a World War II-era, African-American setting.
Carmen Jones is a 1954 American musical film featuring an African American cast starring Harry Belafonte, Dorothy Dandridge, and Pearl Bailey and produced and directed by Otto Preminger. The screenplay by Harry Kleiner is based on the lyrics and book by Oscar Hammerstein II , from the 1943 stage musical of the same name , set to the music of ...
Olga James (February 16, 1929 – January 25, 2025) was an American singer and actress best known for her role in the film Carmen Jones (1954). Her later acting credits include a role in the Broadway musical Mr. Wonderful and a recurring role on The Bill Cosby Show.
Carmen Jones: 1943 Georges Bizet: Oscar Hammerstein II: Hammerstein 1992: Caroline, or Change: 2003 Jeanine Tesori: Tony Kushner: Kushner 2007: Cats: 1981 Andrew Lloyd Webber: T. S. Eliot: Lloyd Webber, Trevor Nunn: 1983: 1981: It was the longest-running Broadway musical in history until it was surpassed by The Phantom of the Opera. It won ...
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Decca soon began recording every hit musical that came along including One Touch of Venus, Carmen Jones, Carousel, and Annie Get Your Gun. Soon, all the other record companies were bidding for the rights to record Broadway shows with their original casts. Capitol recorded St. Louis Woman in 1946, and RCA Victor recorded Brigadoon in 1947 ...
She made her début on Broadway in December 1943, taking the title role in Carmen Jones, an updated version of Bizet's Carmen by Billy Rose and Oscar Hammerstein with an African-American cast. [2] At that time, US opera companies were segregated — in the cast of 115, only one had previous Broadway experience. [2]
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