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Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
In 1966, Fender issued the Fender Mustang Bass. A new bass body was designed with a offset body style similar to that of the Mustang guitar, and a short (30-inch) scale was used. In 1969, Fender released the "Competition" Mustang with a "racing stripe" paint job and painted headstocks. Body contours were also added at this time.
Cobain's prototype Jag-Stang had a Fender Texas Special pickup at the neck and a DiMarzio H-3 at the bridge. The production Jag-Stang includes a "vintage style" single coil pickup and one "special design" humbucker, each with its own toggle switch which a player can use to switch from "on", "off", or "out-of-phase" settings.
Black-doom, also known as blackened doom, is a style that combines the slowness and thicker, bassier sound of doom metal with the shrieking vocals and heavily distorted guitar sound of black metal. [ 64 ] [ 65 ] [ 66 ] Black-doom bands maintain the Satanic ideology associated with black metal, while melding it with moodier themes more related ...
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
The Fender Concert was a guitar amplifier made by Fender Musical Instruments. Its production can be split over 2 phases. Its production can be split over 2 phases. The first of these running from 1960 and until approximately 1965, at which time a typical Fender Concert was priced at $315.
The Mustang body was larger and slightly offset, and was fitted with a plastic pickguard but with the volume and tone controls mounted on a separate metal plate. The headstock was also enlarged. All three models were offered with the option of a 24-inch scale and 22-fret neck or a 22.5-inch scale and 21-fret neck; the 24-inch scale proved to be ...
Type O Negative was an American gothic/doom metal band formed in Brooklyn, New York City in 1989 [1] [2] by Peter Steele (bass, lead vocals), Kenny Hickey (guitar, co-lead vocals), Josh Silver (keyboards, backing vocals), and Sal Abruscato (drums, percussion), who was later replaced by Johnny Kelly.