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Turntablist Transcription Methodology, or TTM, is a notation system for scratching and turntablism.The system was founded by John Carluccio in 1997. [1] A booklet detailing the system was written and published by John Carluccio, industrial designer Ethan Imboden and Raymond Pirtle (DJ Raedawn) in 2000. [2]
A DJ scratching a record. Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
By the end of the 1980s it was very common to hear scratching on a record, generally as part of the chorus of a track or within its production. On stage the DJ would provide the music for the MCs to rhyme and rap to, scratching records during the performance and showcasing his or her skills alongside the verbal skills of the MC.
Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or ...
Beat juggling can be defined as the art of manipulating two or more samples (e.g. drum beats, or vocal phrases), in order to create a unique composition, using multiple turntables and one or more mixers. [1]
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A crab is a type of scratch used by turntablists, combining hand movements on a turntable with rapid manipulation of the crossfader.This technique enables the creation of multiple, rapid sound variations, producing a unique stutter sound that blends audio and silence, giving it an almost robotic quality.
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