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They were used on Renaissance monuments when patron saints became unacceptable. Particularly popular were the four cardinal virtues and the three Christian virtues, but others such as fame, victory, hope, and time are also represented. The use of allegorical sculpture was fully developed under the École des Beaux-Arts.
The Allegory of Good and Bad Government is a series of three fresco panels painted by Ambrogio Lorenzetti between February 1338 and May 1339. The paintings are located in Siena 's Palazzo Pubblico —specifically in the Sala dei Nove ("Salon of Nine"), the council hall of the Republic of Siena 's nine executive magistrates, [ 2 ] elected ...
Annibale Carracci, An Allegory of Truth and Time (1584–85), an allegorical history painting relying very little upon realism. Velázquez, portrait painting of Pope Innocent X, c. 1650 A genre painting. Adriaen van Ostade, Fishmonger, 1660–1670, oil on oak, 29 × 26.5 cm, Museum of Fine Arts, Budapest. A landscape.
Allegory of bad government, two soldiers robbing a woman. Later he painted The Allegory of Good and Bad Government. The frescoes on the walls of the Room of the Nine (Sala dei Nove) or Room of Peace (Sala della Pace) in Siena's Palazzo Pubblico are one of the masterworks of early Renaissance secular painting. The "nine" was the oligarchal ...
Perhaps the most famous example of a thorough and continuous allegorical work from the Renaissance is the six books of Edmund Spenser's The Faerie Queene. In book 4, for example, Agape has three sons: Priamond (from one), Diamond (from two), and Telamond (from téleios , perfect, but emended by Jortin to 'Triamond' in his 1734 edition).
The Four Allegories is a series of four small panel paintings in the Gallerie dell'Accademia, Venice, Italy by the Italian Renaissance master Giovanni Bellini, whose date has been variously argued as different points in the range 1490–1504.