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The Salle Le Peletier, home of the Paris Opera during the middle of the 19th century. French opera is both the art of opera in France and opera in the French language.It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen.
The effect of the quarrel was to open French opera to outside influences that triggered a renewal in the form. In particular, the Comédie-Italienne and Théâtre de la foire developed a new type of opera that combined the natural simplicity of the Italian style with the harmonic richness of French tragédie en musique.
After 1733 Rameau dedicated himself mostly to opera. On a strictly musical level, 18th-century French Baroque opera is richer and more varied than contemporary Italian opera, especially in the place given to choruses and dances but also in the musical continuity that arises from the respective relationships between the arias and the recitatives.
Hippolyte et Aricie (Hippolytus and Aricia) was the first opera by Jean-Philippe Rameau.It was premiered to great controversy by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on October 1, 1733.
At the age of eight, he conducted his own choral work Beatus Vir.. Daquin's surviving music includes four harpsichord suites, the c.1757 Nouveau livre de noëls for organ and harpsichord (settings of Christmas carols, which include some of his harpsichord improvisations), a cantata, an air à boire, and manuscripts of two Masses, a Te Deum, a Miserere, and Leçons de Ténèbres.
Italian: Literally, "serious opera". Dominant style of opera in the 18th century, not only in Italy but throughout Europe (except France). Rigorously formal works using texts, mainly based on ancient history, by poet-librettists led by Metastasio. Patronized by the court and the nobility. Star singers were often castrati.
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Unlike Italian buildings, French Baroque buildings have no broken pediments or curvilinear façades. Even religious buildings avoided the intense spatial drama one finds in the work of Borromini. The style is closely associated with the works built for Louis XIV (reign 1643–1715), and because of this, it is also known as the Louis XIV style.