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Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins , Eddie Fowlkes , Derrick May , Jeff Mills , Kevin Saunderson , Blake Baxter , Drexciya , Mike Banks , James Pennington and Robert Hood .
Movement Electronic Music Festival is an annual electronic dance music event held in the birthplace of Techno, Detroit, each Memorial Day weekend since 2006. Previous electronic music festivals held at Hart Plaza on Memorial Day weekend include Detroit Electronic Music Festival (2000–2002), Movement (2003–2004) and Fuse-In (2005).
This is an accepted version of this page This is the latest accepted revision, reviewed on 20 December 2024. American techno DJ (born 1962) Eddie Fowlkes Also known as Eddie "Flashin" Fowlkes Born (1962-12-24) December 24, 1962 (age 62) Detroit, Michigan, USA Labels Metroplex, Tresor, City Boy, 430 West, Peacefrog Musical artist Eddie Fowlkes (born December 24, 1962) is an American techno and ...
Detroit took its place as center of the techno music universe Saturday as the 23rd edition of the Movement festival kicked off the first of three days at Hart Plaza for an expected 30,000-plus ...
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Kevin Maurice Saunderson (born September 5, 1964) is an American electronic dance music DJ and record producer. [1] He is famous for being a member of a trio, along with Juan Atkins and Derrick May, who came to be known as the Belleville Three, who are often credited to being among the pioneers and originators of techno: in particular this act helped define Detroit techno, the earliest style ...
The Paycom Center is owned by the City of Oklahoma City and was opened on June 8, 2002, three years after construction began. [6] The original Ford Center name came from a naming rights deal with the Oklahoma Ford Dealers group which represented the marketing efforts of the state's Ford dealerships, rather than the Ford Motor Company itself.
In 1988, dance music entrepreneur Neil Rushton approached the Belleville Three to license their work for release in the UK. To define the Detroit sound as being distinct from Chicago house, Rushton and the Belleville Three chose the word "techno" for their tracks, a term that Atkins had been using since his Cybotron days ("Techno City" was an early single). [10]