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The Caipira viola or Caipira guitar [1] (in Portuguese: Viola caipira), is a Brazilian ten-string guitar with five courses of strings arranged in pairs. [2] It is a variation of the Portuguese viola that developed in the state of São Paulo during the colonial period, [3] serving as a basis for Paulista music, especially for subgenres of Caipira folklore, such as moda de viola, caipira pagode ...
In he left Brazil again to join Turkish side Gaziantepspor, where he scored 18 goals in 46 Super Lig matches during a 1 + 1 ⁄ 2-season spell. [2] In mid-2003, back to Brazil, Viola would defend many other teams, alternating them with some showbol matches and even a reality television show participation by 2010. His last coming back trial was ...
The viola de Queluz is a stringed instrument from Queluz, Brazil.It has 12 strings in 5 courses. The lower 2 are tripled, and the rest are doubled. They were produced mainly between the late 19th and early 20th century, and inspired by the viola toeira from Portugal.
Viola amarantina (Portugal) Viola beiroa (Portugal) Viola braguesa (Portugal) Viola caipira (Brazil) Viola campanica (Portugal) Viola da terra (the Azores) Viola de arame (Portugal) Viola de cocho (Brazil) Viola da Terceira (Azores) Viola toeira (Portugal) Walaycho (the Andes) Waldzither (Germany) Yaybahar; Yueqin (China) Zheng (China ...
Ivan Vilela (born August 28, 1962 in Itajubá, Minas Gerais) is a Brazilian composer, arranger, researcher, teacher and viola caipira player.Ivan Vilela is currently a professor at the ECA - School of Communication and Arts of the University of São Paulo. [1]
Braz Roberto da Costa (born 1961), known professionally as Braz da Viola, is a Brazilian multi-instrumentalist musician, luthier, conductor and teacher. He runs workshops of viola caipira in several cities in Brazil.
The viola de cocho is a singular plucked string instrument from Brazil.It is typical in the states of Mato Grosso and Mato Grosso do Sul and has been designated a part of Brazil's intangible national heritage by IPHAN, the Brazilian institution responsible for the preservation of the national cultural heritage. [1]
In the Brazilian tradition, the rabeca chuleira is simply called rabeca and is not a short-scale instrument unlike its Portuguese cousin. The Portuguese viola braguesa finds a counterpart in its Brazilian cousin, the viola caipira. In forró music, the rabeca is typically accompanied by accordion, zabumba drum, and triangle.