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The style was later influenced by Flemish Baroque painting, as the Spanish Habsburgs ruled over an area of the Netherlands during this period. The arrival of Flemish painter Peter Paul Rubens in Spain, who visited the country in 1603 and 1628, also had some influence Spanish painting. However, it was the profusion of his works, as well as those ...
Piazza di Spagna and Via Condotti in an engraving by Giovanni Battista Piranesi Sign in Piazza di Spagna. In the middle of the square is the Fontana della Barcaccia, dating to the beginning of the Baroque period, sculpted by Pietro Bernini and his son Gian Lorenzo Bernini.
The main entrance. The Spanish ambassadors had rented the Monaldeschi Palace for more than a decade. In 1647, the new ambassador, Íñigo Vélez de Guevara, 8th Count of Oñate, made an offer for the palace, owned by the Monaldeschi family, an old Roman noble family, through an Italian agent, Bernardino Barber, and later obtained the permission of purchase of the Congregation of Barons of the ...
The Baroque period was a golden age for theatre in France and Spain; playwrights included Corneille, Racine and Molière in France; and Lope de Vega and Pedro Calderón de la Barca in Spain. During the Baroque period, the art and style of the theatre evolved rapidly, alongside the development of opera and of ballet.
Santa Maria sopra Minerva, Rome 1617–1618 Sculpture Marble Life-size 5 [7] Bust of Pope Paul V: Galleria Borghese, Rome 1618 Sculpture Marble Height 35 cm (14 in) 6 [8] Damned Soul: Palace of Spain, Rome 1619 Sculpture Marble Life-size 7 [9] Blessed Soul: Palace of Spain, Rome 1619 Sculpture Marble Life-size 7 [9] Aeneas, Anchises, and ...
The Fontana della Barcaccia (Italian: [barˈkattʃa]; "Fountain of the Boat") is a Baroque-style fountain found at the foot of the Spanish Steps in Rome's Piazza di Spagna (Spanish Square). Pope Urban VIII commissioned Pietro Bernini in 1623 to build the fountain as part of a prior Papal project to erect a fountain in every major piazza in Rome.
The other early center of Spanish baroque sculpture was the city of Seville, which had been greatly enriched by the wealth of the Spanish colonies in the New World. The most important sculptor of the early Seville school was Juan Martínez Montañés (1568–1649), whose works portrayed balance and harmony, with a minimum of violence and blood ...
Nativity by Josefa de Óbidos, 1669, National Museum of Ancient Art, Lisbon. The Council of Trent (1545–1563), in which the Roman Catholic Church answered many questions of internal reform raised by both Protestants and by those who had remained inside the Catholic Church, addressed the representational arts in a short and somewhat oblique passage in its decrees.