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If the summary follows the order in which events are presented in a non-chronological narrative, out-of-universe language such as "the story begins in", "the story backtracks to", or "the story skips ahead to" might be useful. The plot section should usually avoid commentary.
Dates, years, and other chronological items should be linked only when they are relevant to the subject and likely to be useful to a reader; this rule does not apply to articles that are explicitly on a chronological item, e.g. 2002, 19th century (as discussed at Wikipedia:Linking § Chronological items). [e]
The fabula (story) is what happened in chronological order. In contrast, the syuzhet (plot) means a unique sequence of discourse that was sorted out by the (implied) author. That is, the syuzhet can consist of picking up the fabula events in non-chronological order; for example, fabula is a 1, a 2, a 3, a 4, a 5, ..., a n , syuzhet is a 5, a 1 ...
For full details on how to format simple and complex dates and ranges, see WP:Manual of Style/Dates and numbers § Chronological items. Beyond the first paragraph of the lead section, birth and death details should only be included after a name if there is special contextual relevance.
The narrative structure follows events in a chronological order, commonly utilized in feature writing and long-form journalism. [1]Example 1: A profile piece on a chef would start with their early life, follow their career development, and conclude with their current achievements.
Often, separate sections are created for "criticism" or "controversy", or for "personal life". While there are circumstances where these can be useful, where the subject's personal life or controversies involving them are detached from their basis of notability, placing such materials in a separate section can be harmful to the article if doing so prevents the reader from having a sense of the ...
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All the sentences within a paragraph should revolve around the same topic. When the topic changes, a new paragraph should be started. Overly long paragraphs should be split up, as long as the cousin paragraphs keep the idea in focus. One-sentence paragraphs can be emphatic, and should be used sparingly.