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Art Nouveau (/ ˌ ɑː r (t) n uː ˈ v oʊ / AR(T) noo-VOH, French: [aʁ nuvo] ⓘ; lit. ' New Art '), Jugendstil and Secessionsstil in German, is an international style of art, architecture, and applied art, especially the decorative arts.
Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
The Swiss–French artist Grasset was already making early posters in the Art Nouveau style in 1893. In 1895, Bing opened a new gallery at 22 rue de Provence in Paris, the Maison de l'Art Nouveau , devoted to works in both the fine and decorative arts.
Our guide to Art Nouveau architecture explores the late 19th-century movement known for flowing lines and organic forms and how it influenced the culture.
Hector Guimard (French pronunciation: [ɛktɔʁ ɡimaʁ], 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger , the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the ...
Art Nouveau glass is fine glass in the Art Nouveau style. Typically the forms are undulating, sinuous and colorful art, usually inspired by natural forms. Pieces are generally larger than drinking glasses, and decorative rather than practical, other than for use as vases and lighting fittings; there is little tableware.
Art Nouveau temples are churches, chapels, synagogues, and mosques built in the style known as Art Nouveau in French and English languages (also Modern Style or Glasgow style in the latter one), Jugendstil in Germany and Nordic countries, Secessionsstil in countries of former Austro-Hungary, Modernisme in Catalan, Modern in Russian, Stile Liberty or Stile Floreale in Italian.
In February 1901, Majorelle became one of the founding members of the École de Nancy, alternatively known as the Alliance provinciale des industries d'art, which was a group of artists, architects, art critics, and industrialists in Lorraine who decided to work in a collaborative fashion, and predominantly in the Art Nouveau style.