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The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The title page of Hamlet Q2 (1604), the only early source for the speech. Hamlet exists in several early versions: the first quarto edition (Q1, 1603), the second quarto (Q2, 1604), and the First Folio (F, 1623). [b] Q1 and F do not contain this speech, although both include a form of The Closet Scene, so the 1604 Q2 is the only early source ...
Speak the speech" is a famous speech from Shakespeare's Hamlet (1601). [1] In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark. The speech itself has played two important roles independent of the play.
Yorick is an unseen character in William Shakespeare's play Hamlet.He is the dead court jester whose skull is exhumed by the First Gravedigger in Act 5, Scene 1, of the play. . The sight of Yorick's skull evokes a reminiscence by Prince Hamlet of the man, who apparently played a role during Hamlet's upbringin
"All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 139. The speech compares the world to a stage and life to a play and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man .
His monologue from '96 was by far one of the funniest monologues to date. With his takes on the election, his life after being on the show, and his ability to make regular life seem so hilarious.
Fortissimo French horns play the variant of Hamlet's Promise (the King's Ô mortelle offense!) which began the septet that closed act 2. The music becomes more agitated, reflecting Hamlet's highly conflicted state of mind. The trumpets sound mutated snippets of the royal court's Danish march. [1] 13. Monologue. Hamlet is alone and seated on a ...