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Drawing Restraint 9 is a 2005 film project by visual artist Matthew Barney consisting of a feature-length film, large-scale sculptures, photographs, drawings, and books. The Drawing Restraint series consists of 19 numbered components and related materials. Some episodes are videos, others sculptural installations or drawings.
Before animation begins, a preliminary soundtrack or scratch track is recorded so that the animation may be more precisely synchronized to the soundtrack. Given the slow manner in which traditional animation is produced, it is almost always easier to synchronize animation to a preexisting soundtrack than it is to synchronize a soundtrack to pre-existing animation.
The Torment of Saint Anthony [2] (or The Temptation of Saint Anthony, c. 1487–88) is a painting by Michelangelo, who painted this close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. Whether the painting is by Michelangelo is disputed. [3]
Anthony Imre Alexander Gross CBE RA (19 March 1905 – 8 September 1984) was a British printmaker, painter, war artist and film director of Hungarian-Jewish, Italian, and Anglo-Irish descent. [ 1 ] Early life and work
Landscape with scene from the Odyssey, Rome, c. 60–40 BCE. Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape ...
Capitoline she-wolf in Eden Park, Cincinnati, Ohio Capitoline Wolf at Siena Duomo. According to a legend Siena was founded by Senius and Aschius, two sons of Remus. When they fled Rome, they took the statue of the She-wolf to Siena, which became the symbol of the town.
The title, The Temptation of St. Anthony, provides clues as to the meaning of the painting and its iconography. In this painting various temptations appear to Saint Anthony (the naked man in the painting). The temptations are led by Satan depicted in the form of a horse, who is seen by Dalí as at once beautiful, terrible and impossible ...
St. Anthony the Abbot is portrayed in meditation, in a sunny landscape near the trunk of a dry tree. St. Anthony is a recurrent figure in Bosch's work, with up to 15 paintings of this subject, all inspired by legends told in the Golden Legend and in his Life by Athanasius of Alexandria. He is represented in a setting of solitude and temptation ...