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Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin
The contradictions between fables already mentioned and alternative versions of much the same fable, as in the case of The Woodcutter and the Trees, are best explained by the ascription to Aesop of all examples of the genre. Some are demonstrably of West Asian origin, others have analogues further to the East.
Anthropomorphic cat guarding geese, Egypt, c. 1120 BCE. Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or ...
Nevertheless, the Fables were regarded as providing an excellent education in morals for children, and the first edition was dedicated to the six-year-old Dauphin. Following La Fontaine's example, his translator Charles Denis dedicated his Select Fables (1754) to the sixteen-year-old heir to the English throne. [3]
Fairy tales are stories that range from those in folklore to more modern stories defined as literary fairy tales. Despite subtle differences in the categorizing of fairy tales, folklore, fables, myths, and legends, a modern definition of the literary fairy tale, as provided by Jens Tismar's monograph in German, [1] is a story that differs "from an oral folk tale" in that it is written by "a ...
Aesop (/ ˈ iː s ɒ p / EE-sop; Ancient Greek: Αἴσωπος, Aísōpos; c. 620–564 BCE; formerly rendered as Æsop) was a Greek fabulist and storyteller credited with a number of fables now collectively known as Aesop's Fables.
The fable is found in a large number of mediaeval Latin sources and also figures as a moral ballade among the poems of Eustache Deschamps under the title of La fourmi et le céraseron. [5] From the start it assumes prior knowledge of the fable and presents human examples of provident and improvident behaviour as typified by the insects.
The folly of trying to keep up with the Joneses is the conclusion drawn by La Fontaine's Fables from the Phaedrus version of the tale, applying it to the artistocratic times in which La Fontaine lived ("The frog that wished to be as big as the ox", Fables I.3):