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An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
Elegías de Duino = Duineser Elegien (in Spanish). Translated by Rulfo, Juan. Madrid: Sexto Piso. 2015. ISBN 978-84-16358-23-6. OCLC 927805221. Elegías de Duino. Nueva edición con poemas y cartas inéditos (in Spanish). Translated by Jaume, Andreu; Kovacsics, Adan. Lumen. 2023. ISBN 978-84-26424-35-8.
The first examples of elegiac poetry in writing come from classical Greece. The form dates back nearly as early as epic, with such authors as Archilocus and Simonides of Ceos from early in the history of Greece. The first great elegiac poet of the Hellenistic period was Philitas of Cos: Augustan poets identified his name with great elegiac ...
After Sextus Propertius", which is a free translation of Propertius' Elegy IV 7. Elena Shvarts wrote a cycle of poems as if they were the works of Propertius' love, Cynthia. She explains Cynthia's 'poems have not survived, nevertheless I have tried to translate them into Russian'. [34]
Prelude, Elegy and Toccata (1954) Partita Op.19 (1962) Variations on a Hymn Tune Op.20 (1962) Postlude (1962) Processional (1964) Chorale (Easter 1966) Invocations Op.35 (1967) Toccata Giocosa Op.36 No.2 (1967) Dedicated to Sir David Willcocks on the occasion of his Inauguration of the new organ at The Royal College of Organists, 7 October 1967
"Elegy", Russian song by Modest Mussorgsky; Elegy, by Elliott Carter; Elegy, by John Corigliano; Elegy, by Hubert Parry; Elegy, for guitar by Alan Rawsthorne; Elegia, Op. 4/1, a 1909 composition for string orchestra by Leevi Madetoja; Elegie, Op.36 song cycle for baritone and chamber orchestra by Othmar Schoeck
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"
Interpreting the text of the poem as a woman's lament, many of the text's central controversies bear a similarity to those around Wulf and Eadwacer.Although it is unclear whether the protagonist's tribulations proceed from relationships with multiple lovers or a single man, Stanley B. Greenfield, in his paper "The Wife's Lament Reconsidered," discredits the claim that the poem involves ...