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  2. Fumage - Wikipedia

    en.wikipedia.org/wiki/Fumage

    Wolfgang Paalen, Fumage, 1938, candle smoke on paper Wolfgang Paalen, Pays interdit ("Forbidden Land"), 1936-37, oil painting Fumage is a surrealist art technique popularized by Wolfgang Paalen in which impressions are made by the smoke of a candle or kerosene lamp on a piece of paper or canvas. [1]

  3. Vision of the Apocalypse (Bathas) - Wikipedia

    en.wikipedia.org/wiki/Vision_of_the_Apocalypse...

    Seven candles and seven angles represent the seven cities: Ephesus, Smyrna, Pergamon, Thyatira, Sardis, Philadelphia, and Laodicea. Each candlestick is designed with careful detail and attention. They are all made of gold and reminiscent of 16th century Venetian candlesticks. Atop each candle, a torch-like flame represents the holy light.

  4. Magdalene with the Smoking Flame - Wikipedia

    en.wikipedia.org/wiki/Magdalene_with_the_Smoking...

    Magdalene at the Mirror (National Gallery of Art) is an oil on-canvas painting created circa 1635–1640. This version is known to be the original painting out of the Magdalene series. In Magdalene at the Mirror, Magdalene is shown in profile view sitting in front of the mirror, candle, and skull. The skull is on top of the Bible on the desk ...

  5. The 10 best holiday candles to make your home smell merry and ...

    www.aol.com/lifestyle/best-holiday-candles-2024...

    This popular candle comes in a wide range of sizes, from mini tins to oversized hearth candles, and the classic 18-ounce jar burns for up to 100 hours, letting you enjoy the scent all throughout ...

  6. Magdalene with Two Flames - Wikipedia

    en.wikipedia.org/wiki/Magdalene_with_Two_Flames

    Magdalene with Two Flames or The Penitent Magdalene is an undated oil-on-canvas painting created c.1640 by the French painter Georges de La Tour.In 1978 Mr. and Mrs. Charles Wrightsman gave it to the Metropolitan Museum of Art in New York, where it still hangs.

  7. Nero's Torches - Wikipedia

    en.wikipedia.org/wiki/Nero's_Torches

    The painting was first exhibited in 1876 at the Accademia di San Luca in Rome. It went on to tour Europe with stops in Vienna, Munich, Prague, Lviv, Berlin, Saint Petersburg, PoznaƄ, Paris and London. It was met with critical acclaim by masters of academic art such as Hans Makart and Lawrence Alma-Tadema. [3]