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Raga Bhairavi is often referred to as the queen of morning Ragas. It produces a rich, devotional atmosphere especially suitable for the genres of Bhajan and the light classical form of Thumri . The Rishabh and Dhaivat used here are oscillating which is strongly recommended in this Raga and it makes the Raag mood intense.
Bhajan refers to any devotional song with a religious theme or spiritual ideas, specifically among Dharmic religions, in any language. [1] The term bhajanam ( Sanskrit : भजनम्) means reverence and originates from the root word bhaj (Sanskrit: भज्), which means to revere , as in 'Bhaja Govindam' ( Revere Govinda ) .
Hari Om Sharan (26 September 1932 – 18 December 2007) was an Indian Hindu devotional singer and lyricist. Most of his career was dedicated to singing devotional songs in praise of Sita, Rama, and Hanuman.
Traditionally it is a morning raga. It is one of the most important ragas of the Bhairav anga. [1] This raga is not be confused with the Natabhairavi, the 20th Melakarta of Carnatic Music. [citation needed] Sarasangi, which is the 27th Melakarta in Carnatic music, has the same scale as the Nat Bhairav in Hindustani music.
A bhajan is freer, and can be a single melody performed by a single singer with or without musical instruments. Kirtan , in contrast, is generally a group performance, typically with a call and response or antiphonal musical structure, similar to an intimate conversation or gentle sharing of ideas.
Salabega was the son of the Mughal subedar, Lalbeg. His father, on one of his military excursions, came across Dandamukundapur. He saw a beautiful young Brahmin widow Lalita returning from her bath in a river. Lalbeg took her away by force and made her his wife. Salabega was their only son.
He established Anandashram, where this mantra is chanted continuously from morning to night. "Ramanama satya hai" (transl. The name of Rama is the truth) is a Hindi phrase commonly chanted by Hindus while carrying a dead body to be cremated. [8] [9] Tyagaraja, a composer of Carnatic music, mentioned the ramanama in his compositions. [10]
Possessing the ability to walk upon the air, the gandharva entered the garden by night. Unseen by the keepers of the garden, he collected a large number of flowers for the veneration of the deity in the morning. First perplexed by this event, the keepers eventually deduced the ability of the thief.