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An anticlimax or anti-climax is an abrupt descent (either deliberate or unintended) on the part of a speaker or writer from the dignity of idea at which they appeared to aim, [10] as in: "The English poet Herrick expressed the same sentiment when he suggested that we should gather rosebuds while we may. Your elbow is in the butter, sir." [11]
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Articles relating to figures of speech, words or phrases that entail an intentional deviation from ordinary language use in order to produce a rhetorical effect. [1
Anti-climax or anticlimax (that is, the opposite of climax in its various meanings) may refer to: Anticlimax (narrative), a literary element; Anticlimax (figure of speech), a rhetorical device; Anticlimax, a genus of sea snails; Anticlimax: A Feminist Perspective on the Sexual Revolution, a 1990 book by Sheila Jeffreys
Antanaclasis – a figure of speech involving a pun, consisting of the repeated use of the same word, each time with different meanings. Anticlimax – a bathetic collapse from an elevated subject to a mundane or vulgar one. Antimetabole – repetition of two words or short phrases, but in reversed order to establish a contrast.
Catacosmesis is the Greek word for "to set in order". [1] In rhetoric, it refers to a device in which there is a descending order of words or phrases, either in order of importance, dignity or time, and either abrupt or gradual. [2] [3] It is considered to be synonymous with anticlimax. [4]
A paraprosdokian (/ p ær ə p r ɒ s ˈ d oʊ k i ə n /), or par'hyponoian, is a figure of speech in which the latter part of a sentence, phrase, or larger discourse is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part.
Death of Caesar, the climax of Shakespeare's play, Julius Caesar. The climax (from Ancient Greek κλῖμαξ (klîmax) 'staircase, ladder') or turning point of a narrative work is its point of highest tension and drama, or it is the time when the action starts during which the solution is given.