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The story itself is considered a performance so there is a synergy among the aforementioned elements. [1] In the story, the narrator may draw attention to the narrative or to himself as storyteller. [2] The structure often includes the following: Tell riddles to test the audience. Audience becomes a chorus and comments on the story.
The third event in a series of events becomes "the final trigger for something important to happen." This pattern appears in childhood stories such as "Goldilocks and the Three Bears", "Cinderella", and "Little Red Riding Hood". In adult stories, the Rule of Three conveys the gradual resolution of a process that leads to transformation. This ...
In the ceremonial use of storytelling, the unity building theme of the message becomes more important than the time, place and characters of the message. Once the message is delivered, the story is finished. As cycles of the tale are told and retold, story units can recombine, showing various outcomes for a person's actions. [56]
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
It is the final part of a play, following the protasis, epitasis, and catastasis. The catastrophe is either simple or complex, for which also the fable and action are denominated. In a simple catastrophe, there is no change in the state of the main characters, nor any discovery or unravelling; the plot being only a mere passage out of agitation ...
A plot twist is a literary technique that introduces a radical change in the direction or expected outcome of the plot in a work of fiction. [1] When it happens near the end of a story, it is known as a twist ending or surprise ending. [2]
The falling action may contain a moment of final suspense: Although the catastrophe must be foreshadowed so as not to appear as a non sequitur, there could be for the doomed hero a prospect of relief, where the final outcome is in doubt. [35] Catastrophe The catastrophe (Katastrophe in the original) [36] is where the hero meets his logical ...
The story generally incorporates only elements necessary for the action: plausibility is determined more by the internal logic of the plot than by external reality. 6 enkelt begivenhed unity of plot The action coalesces around a single event; only that which is necessary to it is included in the story. 7 episke handlingsenhed epic unity