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Evangelist portraits are a specific type of miniature included in ancient and mediaeval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists , the books of Matthew , Mark , Luke , and John , may be prefaced by a portrait of the Evangelist, usually occupying a full ...
Although the concept of the apostles in the context of Christianity generally refers to the first twelve apostles of Jesus Christ as enumerated in the Gospels [15] [16] (Judas Iscariot being replaced by Matthias due to his treachery), [17] some apostolados contain portraits of other important figures in Christianity, such as Jesus, Paul, Mary, and/or Luke.
In iconography, the evangelists often appear in Evangelist portraits derived from classical tradition, and are also frequently represented by the symbols which originate from the four "living creatures" that draw the throne-chariot of God in the vision in Ezekiel 1 reflected in the Book of Revelation , referred to as the four 'Seraphim', though ...
Portrait of Saint John from Vienna, Österreichische Nationalbibliothek, Lat. 1224. Painted by Cutbercht, ... Evangelist portrait This page was last ...
Garima 2, also in Ge'ez, is a 322-page folio written by a different scribe. It has seventeen illuminated pages, including four fine Evangelist portraits preceding their respective gospels, and a separate portrait of Eusebius of Caesarea preceding his canon tables. [6]
The portraits of the evangelists are decorated with the same colors and similar motifs. Matthew holds in his hands a stick and a book in a frame made of interlacing panels and knots (f.4v.). Saint Mark only holds a book and is surrounded by crawling lions symbolizing a throne on which he is seated (f.70v.).
The portraits were highly stylised rather than earlier naturalistic ones, to display religious expression and veneration of the apostles. [19] Byzantine images were mostly seen in churches that favoured flattened figures with standardised facial types which created other worldly images of the apostles, rather than human ones. [22]
The location of the portrait of Otto in the book between the canon tables and the portrait of St. Mathew, the first evangelist, is where a portrait of Christ is found in other gospel books. The perfection in this portrait of Otto is in the details, the colors and the representation of the figures. [4]