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  2. The Persistence of Memory - Wikipedia

    en.wikipedia.org/wiki/The_Persistence_of_Memory

    The year prior to painting the Persistence of Memory, Dali developed his "paranoiac-critical method," deliberately inducing psychotic hallucinations to inspire his art. He remarked, "The difference between a madman and me is that I am not mad." This quote highlights Dali's awareness of his mental state.

  3. The Disintegration of the Persistence of Memory - Wikipedia

    en.wikipedia.org/wiki/The_Disintegration_of_the...

    La Desintegración de la Persistencia de la Memoria or The Disintegration of the Persistence of Memory is an oil on canvas painting by the Spanish surrealist Salvador Dalí. It is a 1954 re-creation of the artist's famous 1931 work The Persistence of Memory , and measures a diminutive 25.4 × 33 cm.

  4. Salvador Dalí - Wikipedia

    en.wikipedia.org/wiki/Salvador_Dalí

    Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol [b] [a] gcYC (11 May 1904 – 23 January 1989), known as Salvador Dalí (/ ˈ d ɑː l i, d ɑː ˈ l iː / DAH-lee, dah-LEE; [2] Catalan: [səlβəˈðo ðəˈli]; Spanish: [salβaˈðoɾ ðaˈli]), [c] was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and ...

  5. It Might Be Hard To Take Your Eyes Off These Mesmerizing 30 ...

    www.aol.com/30-examples-surrealism-art-might...

    Image credits: surrealism.world Salvador Dali is one of the most well-known and influential surrealist artists to have ever lived. He created both precise and unusual images that challenged the ...

  6. The clocks are melting and the walls have eyes at this ... - AOL

    www.aol.com/clocks-melting-walls-eyes-immersive...

    Another immersive art show comes to Miami. But this one is on another level. The clocks are melting and the walls have eyes at this immersive Dali exhibit in Miami

  7. The Burning Giraffe - Wikipedia

    en.wikipedia.org/wiki/The_Burning_Giraffe

    The image is set in a twilight atmosphere with deep blue sky. There are two female figures in the foreground, one with drawers opening from her side like a chest. They both have undefined phallic shapes (perhaps melted clocks, as a recurring image from Dalí's previous works) protruding from their backs which are supported by crutch-like objects.