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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
Quarter tones have their roots in the music of the Middle East and more specifically in Persian traditional music. [1] However, the first evidenced proposal of the equally-tempered quarter tone scale, or 24 equal temperament , was made by 19th-century music theorists Heinrich Richter in 1823 [ 2 ] and Mikhail Mishaqa about 1840. [ 3 ]
A musical scale is a series of pitches in a distinct order. The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period.
The diatonic scale notes (above) and the non-scale chromatic notes (below) [13] Medieval theorists defined scales in terms of the Greek tetrachords. The gamut was the series of pitches from which all the Medieval "scales" (or modes, strictly) notionally derive, and it may be thought of as constructed in a certain way from diatonic tetrachords.
The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale.
Shi'er lü (Chinese: 十二律; pinyin: shí'èr lǜ; lit. '12 pitches'; Mandarin pronunciation: [ʂɻ̩˧˥ aɚ˥˧ ly˥˩]) is a standardized gamut of twelve notes used in ancient Chinese music. [1] It is also known, rather misleadingly, as the Chinese chromatic scale; it was only one kind of chromatic scale used in ancient
In traditional African music, scales are practised and thought of as descending from top to bottom. African harmony is based on the scales being employed in a particular musical setting. Scales have a profound impact on the harmony because Africans modalize their music. Modalization is the process of applying modal concepts in a non-modal setting.