Ads
related to: non western music theory
Search results
Results From The WOW.Com Content Network
Western music theory generally divides the octave into a series of twelve pitches, called a chromatic scale, within which the interval between adjacent tones is called a semitone, or half step. Selecting tones from this set of 12 and arranging them in patterns of semitones and whole tones creates other scales. [30]
For instance, Alan Merriam, in a 1960 article, defines ethnomusicology not as the study of non-Western music, but as the study of music in culture. [8] In doing so he discards some of the 'external' focus proposed by the earlier (and contemporary) ethnomusicologists, who regarded non-Western music as more relevant to the attention of scholars.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
In Western music, scale notes are often separated by equally tempered tones or semitones, creating 12 intervals per octave. Each interval separates two tones; the higher tone has an oscillation frequency of a fixed ratio (by a factor equal to the twelfth root of two , or approximately 1.059463) higher than the frequency of the lower one.
The word tonality may describe any systematic organization of pitch phenomena in any music at all, including pre-17th century western music as well as much non-western music, such as music based on the slendro and pelog pitch collections of Indonesian gamelan, or employing the modal nuclei of the Arabic maqam or the Indian raga system.
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
The Cambridge History of Western Music Theory. Cambridge and New York: Cambridge University Press. Chrysanthos of Madytos (1832). Theoritikón méga tís Mousikís Θεωρητικὸν μέγα τῆς Μουσικῆς [Great Theory of Music]. Tergeste: Michele Weis; Cogan, Robert (1976). Sonic Design The Nature of Sound and Music. New Jersey ...
In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone. In twelve-tone equal temperament, there are only two complementary whole-tone scales, both six-note or hexatonic scales. A single whole-tone scale can also be thought of as a "six-tone equal temperament".