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A Roskopf, pin-lever, or pin-pallet escapement is an inexpensive, less accurate version of the lever escapement, used in mechanical alarm clocks, kitchen timers, mantel clocks and, until the 1970s, cheap watches now known as pin lever watches. It was popularized by German watchmaker Georges Frederic Roskopf in its "proletarian watch" from 1867 ...
One of the most common and valued types of mantel clocks are the French Empire-style timepieces. Simon Willard's shelf clock (half clock, Massachusetts shelf clock) was a relatively economical clock which was produced by the celebrated Simon Willard's Roxbury Street workshop, in Boston, Massachusetts, around the first decades of the 19th century.
Eardley Norton, a most highly esteemed member of the Clockmakers' Company, was working between 1762 and 1794. There are clocks by him in the Royal Collection and many museums worldwide. Norton made an astronomical clock for George III which still stands in Buckingham Palace.
A French Empire-style mantel clock is a type of elaborately decorated mantel clock that was made in France during the Napoleonic Empire (1804–1814/15). Timekeepers manufacturing during the Bourbon Restoration (1814/1815–1830) are also included within this art movement as they share similar subjects, decorative elements, shapes, and style.
American clock manufacturers produced similar looking cases made of iron or wood, known as "Black Mantel Clocks", which were popular from 1880 to 1931. [1] Seth Thomas Clock Company purchased the right to use the adamantine veneer in 1881, which they called Marbaline. [1] Their "Adamantine" black mantel clocks were made starting in 1882. [1]
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In 1851 the Ansonia Clock Company was formed [2] as a subsidiary of the Ansonia Brass Company by Phelps and two Bristol, Connecticut, clockmakers, Theodore Terry and Franklin C. Andrews. Terry & Andrews were the largest clock manufacturers in Bristol, with more than 50 employees using 58 tons of brass in the production of about 25,000 clocks in ...
At Hunt's Marble House Allard's name is connected with the Gothic Room [4] and is to be found on the bronze figures reclining on the pedimented mantel in the Grand Salon. [5] Elsewhere in Newport, at The Elms , Allard's name is cast in the bronze lion and crocodile group on the terrace; Allard worked also at Vernon Court .