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Primate and pachyderm taxidermy at the Rahmat International Wildlife Museum & Gallery, Medan, Sumatra, Indonesia. Taxidermy is the art of preserving an animal's body by mounting (over an armature) or stuffing, for the purpose of display or study. Animals are often, but not always, portrayed in a lifelike state.
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
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Koko was born on July 4, 1971, at the San Francisco Zoo to her mother Jacqueline and father Bwana. (The name "Hanabiko" (花火子), lit. ' fireworks child ', is of Japanese origin and is a reference to her date of birth, the Fourth of July.)
During the Victorian era, taxidermy became closer to what is seen in museums today. There was a transition from using straw, paper, and other materials to create the mountings for the hides to using internal structures with rods and the actual animal skulls. [5] Taxidermy is still used in museums and collections today.
Carl Ethan Akeley (May 19, 1864 – November 17, 1926) was a pioneering American taxidermist, sculptor, biologist, conservationist, inventor, and nature photographer, noted for his contributions to American museums, most notably to the Milwaukee Public Museum, Field Museum of Natural History and the American Museum of Natural History.
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There have been attempts to categorise taxidermy in both artistic and scientific terms for over a century. An 1896 review of Montagu Browne’s Artistic and Scientific Taxidermy and Modelling notes that “Any work which will aid in more clearly defining the difference between the art of taxidermy and the trade of taxidermy is to be welcomed.” [1] Stephen T. Asma suggests that natural ...