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Women also wore the chaperon, a draped hat based on the hood and liripipe, and a variety of related draped and wrapped turbans. The most extravagant headdress of Burgundian fashion was the hennin, a cone or truncated-cone shaped cap with a wire frame covered in fabric and topped by a floating veil. Later hennins featured a turned-back brim, or ...
A conical hennin with black velvet lappets (brim) and a sheer veil, 1485–90. The hennin (French: hennin / ˈ h ɛ n ɪ n /; [1] possibly from Flemish Dutch: henninck meaning cock or rooster) [N 1] was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. [2]
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
The women's clothing reflects fashions popular amongst Burgundian nobles in the early 15th century. Their sleeves and robes are exceptionally long, and most of the women have tightly pinned or shaven hairlines, reflecting the 15th-century fashions evident from portraits by Rogier van der Weyden and Petrus Christus.
Images from a 14th-century manuscript of Tacuinum Sanitatis, a treatise on healthful living, show the clothing of working people: men wear short or knee-length tunics and thick shoes, and women wear knotted kerchiefs and gowns with aprons. For hot summer work, men wear shirts and braies and women wear chemises.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.