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In the kolam patterns, many designs are derived from magical motifs and abstract designs blended with philosophical and religious motifs which have been mingled together. [5] Motifs may include fish, birds, and other animal images to symbolise the unity of man and beast. The sun, moon and other zodiac symbols are also used. [6]
The images of the Nayanars are found in many Shiva temples in Tamil Nadu. Pusalar is depicted with a shaven head and with folded hands (see Anjali mudra). A holy day in his honour is observed on the twenty-eighth day of the Tamil month of Aippasi, generally coincides with 13 November. [2] He receives collective worship as part of the 63 Nayanars.
The Banjaras of Madhya Pradesh who are found in the districts of Malwa and Nimar have their own style of embroidery where designs are created according to the weave of the cloth, and the textured effect is achieved by varying colours and stitches of the geometric patterns and designs. Motifs are generally highlighted by cross-stitch.
Nalla Nilavulla Rathri received mixed reviews from critics. [23] [24] Gopika ls of The Times of India gave 3 out of 5 stars and wrote, "Murphy Devasy's debut Nalla Nilavulla Rathri is a watchable movie with some moments of brilliance sprinkled all over. After an interesting build up in first half, the second half was a rollercoaster, which ...
Raja and his friend, Vanisri get married as per the dying wish of Raja's grandfather. Their marital life gets affected due to a misunderstanding regarding one of Raja's ex-girlfriends Rajni when she calls him in his capacity as a doctor to save her son's life.
Elements of art – group of aspects of a work of art used in teaching and analysis, in combination with the principles of art. They are texture, form, line, color, value, and shape. Perspective – the principle of creating the illusion of 3-dimensionality on a 2-dimensional source such as paper.
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
The drawings also function as mnemonic devices to record and transmit rituals, mythological lore and a wealth of oral information about local histories, cosmologies, kinship systems, song cycles, farming techniques, architectural and craft design, and choreographic patterns. Most sand drawings possess several functions and layers of meaning ...