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Jun Kaneko (金子 潤, Kaneko Jun, born 1942) is a Japanese-born American ceramic artist known for creating large scale ceramic sculpture. [2] Based out of a studio warehouse in Omaha, Nebraska , Kaneko primarily works in clay to explore the effects of repeated abstract surface motifs by using ceramic glaze .
Ceramic forming techniques are ways of forming ceramics, which are used to make everything from tableware such as teapots to engineering ceramics such as computer parts. Pottery techniques include the potter's wheel , slip casting and many others.
In Japan there are a few pieces from the Momoyama period (1568–1600), and Edo period (1603–1868), as well as extant pieces of mingei, that display marbled ceramics. There was an explosion in popularity of the technique from about 1978–1995 in Japan, due probably to Aida Yusuke's advertising and to Matsui Kousei, who refers to his work as ...
Slip casting, or slipcasting, is a ceramic forming technique, and is widely used in industry and by craft potters to make ceramic forms. This technique is typically used to form complicated shapes like figurative ceramics that would be difficult to be reproduced by hand or other forming techniques. [ 1 ]
As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the ...
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
35 Year Portrait, a double-sided self-portrait sculpture on display at the Smithsonian American Art Museum. During the start of the 1960s, Arneson and several other California artists began to abandon the traditional manufacture of functional ceramic objects and instead began to make nonfunctional sculptures that made confrontational statements.
Waylande Gregory was born in Baxter Springs, Kansas in 1905. His mother was a concert pianist, and his father was a farmer.From an early age he showed precocious artistic talent, beginning with small sculptures of animals in earth, as well as prodigious musical talent, even composing his own pieces.