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In music, consonance and dissonance are categorizations of simultaneous or successive sounds.Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. [1]
Guaraní shows nasal harmony, and certain affixes have alternative forms according to whether the root includes a nasal (vowel or consonant) or not. For example, the reflexive prefix is realized as oral je- before an oral stem like juka "kill", but as nasal ñe- before a nasal stem like nupã "hit".
A common process is a local harmony known as nasal harmony, in which all sounds in a given domain agree in nasality. Epena Pedee involves nasal vowels being the trigger, the direction being progressive and affecting glottals, vowels, glides, and liquids within the domain, with obstruents and the alveolar trill being the blockers.
When there is harmony, infants almost always prefer consonant intervals over dissonant intervals. Furthermore, if there is a sequence of dissonant intervals in a song, an infant will usually lose interest and it becomes very difficult to regain its attention. [12] To reflect this, most lullabies contain primarily consonant intervals.
In music, harmony is the concept of combining different sounds together in order to create new, distinct musical ideas. [1] Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords , textures and tonalities are identified, defined, and ...
- Consonant harmony: a target word consonant takes on features of another target word consonant, e.g., [ɡʌk] for ‘duck’ - Consonant cluster reduction: omission of a consonant in a target word cluster, e.g., [kæk] for ‘cracker’
Minimal music (also called minimalism) [2] [3] is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units.
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1]