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The primary form of epic, especially as discussed in this article, is the heroic epic, including such works as the Iliad and Mahabharata. Ancient sources also recognized didactic epic as a category, represented by such works as Hesiod 's Works and Days and Lucretius's De rerum natura .
The hero is often righteous or moralistically good, especially in the ancient epic, or else above all others in some field such as combat or leadership. The hero is the vehicle by which the epic's long, difficult narrative must be carried. They must therefore be a strong, distinct, and memorable character. [2]
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
Other characteristics of the epic include a hero figure, myths, and quests for the characters. Many such characteristics are seen in various long poems, but with some changes. For example, Helen In Egypt brings mythic revision, or revisionary mythopoesis, into play. Even though it includes the myth from the epic, the revised telling of the myth ...
Heroic legends are attested in Anglo-Saxon England, medieval Scandinavia, and medieval Germany. Many take the form of Germanic heroic poetry (German: germanische Heldendichtung): shorter pieces are known as heroic lays, whereas longer pieces are called Germanic heroic epic (germanische Heldenepik).
Kush Nama, a Persian epic recounting the story of Kush the Tusked and Abtin. Faramarz-nama, a story about the Persian hero Faramarz; The Garshasp-nama of Asadi Tusi, a Persian epic about the hero Garshasp; Shahnameh, the national epic of Greater Iran and world's longest epic poetry written by one poet; Mem and Zin, a Kurdish folk and love epic
An aristeia or aristia (/ ˌ ær ɪ ˈ s t iː ə /; Ancient Greek: ἀριστεία [aristěːaː], "excellence") is a scene in the dramatic conventions of epic poetry as in the Iliad, where a hero in battle has his finest moments (aristos = "best").
The epic hero? Addressing the issue of heroism in Argonautica, the German classicist H. Fränkel once noted some unheroic characteristics of Jason and his crew. In particular, their frequent moods of despair and depression, summed up in the word helplessness ( Ancient Greek : ἀμηχανία ).