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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Some people, concerned about the professional ramifications of permanent tattoos on their hands, turned to temporary Hajichi made using fruit-based inks. However, some traditionalists object to these practices. [4] In 2020, an exhibition featuring pictures taken of hajichi was organized in Japan. [9]
Tomoe (巴, also written 鞆絵), [a] commonly translated as "comma", [2] [3] is a comma-like swirl symbol used in Japanese mon (roughly equivalent to a heraldic badge or charge in European heraldry).
The Japanese sword has existed since the Nara period (710–794), where techniques to draw the sword have been practiced under other names than 'iaijutsu'. [3] The term 'iaijutsu' was first verified in connection with Iizasa Chōisai Ienao (c. 1387 – c. 1488), founder of the school Tenshin Shōden Katori Shintō-ryū .
Justo Takayama Ukon (ジュスト高山右近), born Takayama Hikogorō (高山彦五郎) and also known as Dom Justo Takayama (c. 1552/1553 - 5 February 1615) was a Japanese Catholic daimyō and samurai during the Sengoku period that saw rampant anti-Catholic sentiment.
Tōyama no Kin-san (遠山の金さん) is a popular character based on the historical Tōyama Kagemoto, a samurai and official of the Tokugawa shogunate during the Edo period of Japanese history. [1] In kabuki and kōdan, he was celebrated under his childhood name, Kinshirō, shortened to Kin-san.
Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), [1] [2] [3] are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen , menpō , hanbō or hanpō , and happuri .
A matched set (daisho) of antique Japanese (samurai) swords and their individual mountings (koshirae), katana on top and wakisashi below, Edo period Swordsmanship, the art of the sword , has an almost mythological ethos, and is believed by some to be the paramount martial art, surpassing all others.