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Madhi-Madhi, also known as Muthimuthi or Madi Madi, [3] is an Indigenous Australian language spoken by the Muthi Muthi Aboriginal people of south-west New South Wales. [4] It is also known as Madhi Madhi, Madi Madi, Bakiin, Mataua, Matimati, Matthee matthee, Moorta Moorta, Mudhi Mudhi, Muthimuthi, Muti muti, Muttee Muttee, Madimadi, Mutte Mutte, or Madi madi.
Mani was an Iranian [20] [21] [a] born in 216 CE in or near Ctesiphon (now al-Mada'in, Iraq) in the Parthian Empire. According to the Cologne Mani-Codex, [22] Mani's parents were members of the Jewish Christian Gnostic sect known as the Elcesaites. [23] Mani composed seven works, six of which were written in the late-Aramaic Syriac language.
The Maniq or Mani are an ethnic group of Thailand. They are more widely known in Thailand as the Sakai ( Thai : ซาไก ), a controversial derogatory term meaning 'barbarism'. [ 2 ] They are the only Negrito group in Thailand and speak a variety of related Aslian languages , primarily Kensiu and Ten'edn , which do not have standard writing ...
Manichaean scripture includes nine main books: the Seven Treatises of Manichaeism, all personally written by Mani in Syriac, the Shabuhragan written by Mani in Middle Persian, and the Arzhang, a series of illustrations painted by Mani. The Kephalaia are not scriptural but rather a secondary literature on Manichaeism commenting on the scripture ...
Like most abjads, Manichaean is written from right to left and lacks vowels. Particularly, it has certain consonants that join on both sides, some that join only on the right, and some that only join on the left, and some that do not join at all, unlike the most well-known abjad, Arabic, which has only consonants that join on both sides or on the right.
A depiction of Máni and Sól (1895) by Lorenz Frølich.. Máni (Old Norse: ; "Moon" [1]) is the Moon personified in Germanic mythology.Máni, personified, is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson.
The only difference is that instead of a circle a square is used and twelve smaller squares or cells are drawn inside the square to represent the rāśi-s. The earth may be imagined as situated at the center of the larger square. The rāśi-s are always in the same boxes.
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