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A pseudoperipteros (Greek: ψευδοπερίπτερος, meaning "falsely peripteral" [1]) is a building with engaged columns embedded in the outer walls, except the front of the building. The form is found in classical architecture in ancient Greek temples, especially in the Hellenistic period.
Ancient Greek architecture of the most formal type, for temples and other public buildings, is divided stylistically into three Classical orders, first described by the Roman architectural writer Vitruvius. These are: the Doric order, the Ionic order, and the Corinthian order, the names reflecting their regional origins within the Greek world.
The pediment begins in Ancient Greek architecture; according to the mid-fifth century BCE poet Pindar, it was a Corinthian invention. [4] It is possible that it was devised specifically to contain sculpture, which from the early 6th century became "customary (though never obligatory)" in Doric temples; in Ionic ones it was a "rarity". [5]
The Parthenon is regarded as the finest example of Greek architecture. John Julius Cooper wrote that "even in antiquity, its architectural refinements were legendary, especially the subtle correspondence between the curvature of the stylobate, the taper of the naos walls, and the entasis of the columns". [68]
Archaic Greek sculpture represents the first stages of the formation of a sculptural tradition that became one of the most significant in the entire history of Western art. The Archaic period of ancient Greece is poorly delimited, and there is great controversy among scholars on the subject.
The Temple of Olympian Zeus, Athens, (174 BC–132 AD), with the Parthenon (447–432 BC) in the background. This list of ancient Greek temples covers temples built by the Hellenic people from the 6th century BC until the 2nd century AD on mainland Greece and in Hellenic towns in the Aegean Islands, Asia Minor, Sicily and Italy ("Magna Graecia"), wherever there were Greek colonies, and the ...
Bust of Artemis, with the typical classical figure of idealized features and impassive expression.Roman copy, National Archaeological Museum of Naples Since the Severe period, the effort of artists was directed towards obtaining an increasing verisimilitude of sculptural forms concerning the living model but also seeking to transcend mere likeness to express their inner virtues.
The megaron (/ ˈ m ɛ ɡ ə ˌ r ɒ n /; Ancient Greek: μέγαρον, , pl.: megara / ˈ m ɛ ɡ ər ə /) was the great hall in very early Mycenean and ancient Greek palace complexes. [1] Architecturally, it was a rectangular hall that was supported by four columns, fronted by an open, two-columned portico , and had a central, open hearth ...