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Of particular importance is the speech of Socrates, who attributes to the prophet Diotima an idea of platonic love as a means of ascent to contemplation of the divine, an ascent known as the "Ladder of Love". For Diotima and Plato generally, the most correct use of love of human beings is to direct one's mind to love of divinity. Socrates ...
It's no surprise, then, that many Plato quotes about life, love and culture still resonate. Plato's most famous work is the Republic, which is a Socratic dialogue that outlines justice as it ...
In Plato's Symposium the members of a party discuss the meaning of love. Socrates says that in his youth he was taught "the philosophy of love" by Diotima, a prophetess who successfully postponed the Plague of Athens. In an account that Socrates recounts at the symposium, Diotima says that Socrates has confused the idea of love with the idea of ...
The roots of the classical philosophy of love go back to Plato's Symposium. [3] Plato's Symposium digs deeper into the idea of love and bringing different interpretations and points of view in order to define love. [4] Plato singles out three main threads of love that have continued to influence the philosophies of love that followed.
The Hipparchus (/ h ɪ ˈ p ɑːr k ə s /; Ancient Greek: Ἵππαρχος), or Hipparch, is a dialogue attributed to the classical Greek philosopher and writer Plato.Like many of Plato's original works, Socrates is featured trying to define a single term, "love of gain" in this case, or philokerdēs (φιλοκερδές) in the original text.
Apuleius informs us that Speusippus praised Plato's quickness of mind and modesty as a boy, and the "first fruits of his youth infused with hard work and love of study". [34] Later Plato himself would characterize as gifts of nature the facility in learning, the memory, the sagacity, the quickness of apprehension and their accompaniments, the ...
The text also provides more detail about Plato’s final night – and he wasn’t a fan of the music that was played. It had previously been thought that the so-called “sweet notes” played by ...
Plato's most self-critical dialogue is the Parmenides, which features Parmenides and his student Zeno, which criticizes Plato's own metaphysical theories. Plato's Sophist dialogue includes an Eleatic stranger. These ideas about change and permanence, or becoming and Being, influenced Plato in formulating his theory of Forms. [54]