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Ginger Snaps is a 2000 Canadian supernatural horror film directed by John Fawcett and written by Karen Walton, from a story they jointly developed.The film stars Emily Perkins and Katharine Isabelle as Brigitte and Ginger Fitzgerald, two morbid teenage sisters whose relationship is tested when Ginger (who has started her period for the first time) is attacked and bitten by an unknown animal ...
Lauren Lapkus as Calista, a cynical, power hungry pre-teen girl and the founder of the Ginger Snaps. Her main goal is to sell cookies and get money from them. She has issues expressing affection for others as refers to her friends as "business partners" and has yet to find a reason as to why she should care about her mother or sister.
Brigitte Fitzgerald was the concept of Canadian screenwriter Karen Walton and film director John Fawcett.The first film in the Ginger Snaps trilogy examines Brigitte's relationship with her sister Ginger and how Brigitte's connection with a local "pretty-boy pusher" to find a cure for Ginger's lycanthropy transformation threatens to undermine the unbreakable bond established between the two in ...
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In Ginger Snaps Back: The Beginning, Ginger returns as a lead character. In the 1800s, Ginger and Brigitte are lost with their horse in the Canadian wilderness when they discover an "abandoned camp". An Indian woman gives them each a pendant. Brigitte's foot is caught in a trap. Ginger seeks help, but a hunter frees Brigitte before she returns.
Emily Jean Perkins (born May 4, 1977) [2] is a Canadian actress, known for her roles as Crystal Braywood in the TV series Hiccups, young Beverly Marsh in Stephen King's It, and Brigitte Fitzgerald in Ginger Snaps. Since the late 1980s, she has appeared in various films and television series.
The list of top Premier League teams beaten at Bournemouth this season is growing. Dean Huijsen took advantage of Tottenham’s weakness at set pieces to head home a 17th-minute winner in ...
Karen Walton is a Canadian screenwriter best known for writing the film, Ginger Snaps, for which she won the Best Film Writing Canadian Comedy Award in 2002. [1] Her writing for the film received both critical scrutiny [2] and academic analysis. [3] Walton has since been recognised with multiple awards. [4]