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The Sydney Opera House was expected to be completed in 1963. A scaled-down version opened in 1973, a decade later. The original cost was estimated at $7 million, but its delayed completion led to a cost of $102 million. [10] The Eurofighter Typhoon defense project took six years longer than expected, with an overrun cost of 8 billion euros. [10]
Hofstadter's law is a self-referential adage, coined by Douglas Hofstadter in his book Gödel, Escher, Bach: An Eternal Golden Braid (1979) to describe the widely experienced difficulty of accurately estimating the time it will take to complete tasks of substantial complexity: [1] [2]
A plot twist is a literary technique that introduces a radical change in the direction or expected outcome of the plot in a work of fiction. [1] When it happens near the end of a story, it is known as a twist ending or surprise ending. [2]
Last year, the Department of Justice found that less than 10 per cent of those who were serving five years or less in prison under the First Step Act re-offended. But that number increased by six ...
The gambler's fallacy, also known as the Monte Carlo fallacy or the fallacy of the maturity of chances, is the belief that, if an event (whose occurrences are independent and identically distributed) has occurred less frequently than expected, it is more likely to happen again in the future (or vice versa).
The Sense of an Ending: Studies in the Theory of Fiction is the most famous work of the literary scholar Frank Kermode. It was first published in 1967 by Oxford University Press . The book originated in the Mary Flexner Lectures, given at Bryn Mawr College in 1965 under the title 'The Long Perspectives'.
Even the smallest proteins contain no fewer than 20 amino acids, making for some pretty long names in their own right; titin, however, is the human body’s largest protein. Total amino acid count ...
Pleonasm: the use of more words than is necessary for clear expression. Procatalepsis: refuting anticipated objections as part of the main argument. Proslepsis: extreme form of paralipsis in which the speaker provides great detail while feigning to pass over a topic.