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A silver cornicello charm. A cornicello (Italian pronunciation: [korniˈtʃɛllo]), cornetto (Italian for 'little horn' / 'hornlet'; ), corno (Italian for 'horn"'), or corno portafortuna (Italian for 'horn that brings luck') is an Italian amulet or talisman worn to protect against the evil eye (or malocchio [maˈlɔkkjo] in Italian) and bad luck in general, and, historically, to promote ...
Jewelry becomes omnipresent during the Hellenistic period. It becomes unisex and is worn by people whether they are naked or dressed. In images, women were often represented with only slippers and a torque or necklace. The heavy necklaces of the classical era are now replaced by strands of beads and torques.
Carmenta is the Goddess of spells, known for chanting incantations in verse to ease the pains of women in labor and children facing illness. Februus is the Italian God of purification who lives in the underworld. Fortuna is the Goddess of fate and fortune and also bringer of fertility. Jana is the Goddess of the Moon, said to have 2 faces. One ...
Her black gown is high necked in front and lower at the back, typical of Italian fashion at this time, and is worn with floral sleeves, probably attached to an underdress, 1465–1470. Italian fresco showing women with their hair braided or twisted, and wrapped around their heads, secured with ribbons laced through the coils, 1468–1470.
The Italian Catherine de' Medici, as Queen of France. Her fashions were the main trendsetters of courts at the time. Fashion in Italy started to become the most fashionable in Europe since the 11th century, and powerful cities of the time, such as Venice, Milan, Florence, Naples, Vicenza and Rome began to produce robes, jewelry, textiles, shoes, fabrics, ornaments and elaborate dresses. [8]
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