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The problem of defining philosophy concerns the question of what all forms of philosophy have in common, i.e. how philosophy differs from non-philosophy or other disciplines, such as the empirical sciences or fine art. One difficulty is due to the fact that the meaning of the term "philosophy" has changed a lot in history: it was used in a much ...
Attempts to provide more precise definitions of philosophy are controversial [17] and are studied in metaphilosophy. [18] Some approaches argue that there is a set of essential features shared by all parts of philosophy. Others see only weaker family resemblances or contend that it is merely an empty blanket term. [19]
Strictly speaking, the philosophy of literature is a branch of aesthetics, the branch of philosophy that deals with the question, "What is art"? Much of aesthetic philosophy has traditionally focused on the plastic arts or music, however, at the expense of the verbal arts. Much traditional discussion of aesthetic philosophy seeks to establish ...
Also called humanocentrism. The practice, conscious or otherwise, of regarding the existence and concerns of human beings as the central fact of the universe. This is similar, but not identical, to the practice of relating all that happens in the universe to the human experience. To clarify, the first position concludes that the fact of human existence is the point of universal existence; the ...
Classicism is a specific genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources and an emphasis on society. It was particularly expressed in the Neoclassicism [4] of the Age of Enlightenment.
Some writers distinguish aesthetics from the philosophy of art, claiming that the former is the study of beauty and taste while the latter is the study of works of art. Slater holds that the "full field" of aesthetics is broad, but in a narrow sense it can be limited to the theory of beauty, excluding the philosophy of art. [1]
Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University.He was best known for having been a long-time art critic for The Nation and for his work in philosophical aesthetics and philosophy of history, though he contributed significantly to a number of fields, including the philosophy of action.
No Exit - An existentialist play outlining Sartrean philosophy. The Devil and the Good Lord - An existentialist play outlining Sartrean philosophy. Rand, Ayn: 1905-1982 Objectivism: Beckett, Samuel: 1906-1989 Absurdism; Quasi-quietism. Waiting for Godot: One of the most well-known philosophical plays of the twentieth century. Eliade, Mircea ...