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Strictly speaking, the philosophy of literature is a branch of aesthetics, the branch of philosophy that deals with the question, "What is art"? Much of aesthetic philosophy has traditionally focused on the plastic arts or music, however, at the expense of the verbal arts. Much traditional discussion of aesthetic philosophy seeks to establish ...
Attempts to provide more precise definitions of philosophy are controversial [17] and are studied in metaphilosophy. [18] Some approaches argue that there is a set of essential features shared by all parts of philosophy. Others see only weaker family resemblances or contend that it is merely an empty blanket term. [19]
The problem of defining philosophy concerns the question of what all forms of philosophy have in common, i.e. how philosophy differs from non-philosophy or other disciplines, such as the empirical sciences or fine art. One difficulty is due to the fact that the meaning of the term "philosophy" has changed a lot in history: it was used in a much ...
Arthur Danto, The Transfiguration of the Commonplace: A Philosophy of Art, 1981; Noël Carroll, The Philosophy of Horror, or Paradoxes of the Heart, 1990; Kendall Walton, Mimesis as Make-Believe: On The Foundations of the Representational Arts, 1990; Richard Shusterman, Pragmatist Aesthetics: Living Beauty, Rethinking Art, 1992/2000
Also called humanocentrism. The practice, conscious or otherwise, of regarding the existence and concerns of human beings as the central fact of the universe. This is similar, but not identical, to the practice of relating all that happens in the universe to the human experience. To clarify, the first position concludes that the fact of human existence is the point of universal existence; the ...
Classicism is a specific genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources and an emphasis on society. It was particularly expressed in the Neoclassicism [4] of the Age of Enlightenment.
Emphasis on learning, art, and music became more widespread, especially with the growing middle class. Areas of study such as literature, philosophy, science, and the fine arts increasingly explored subject matter to which the general public, in addition to the previously more segregated professionals and patrons, could relate. [182]
No Exit - An existentialist play outlining Sartrean philosophy. The Devil and the Good Lord - An existentialist play outlining Sartrean philosophy. Rand, Ayn: 1905-1982 Objectivism: Beckett, Samuel: 1906-1989 Absurdism; Quasi-quietism. Waiting for Godot: One of the most well-known philosophical plays of the twentieth century. Eliade, Mircea ...