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In rock music from the late 1960s to the 2000s, the timbre of specific sounds is important to a song. For example, in heavy metal music, the sonic impact of the heavily amplified, heavily distorted power chord played on electric guitar through very loud guitar amplifiers and rows of speaker cabinets is an essential part of the style's musical ...
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (), such as breaks and lifts within the voice.
The baritone voice is typically written in the range from the second G below middle C to the G above middle C (G 2 –G 4) although it can be extended at either end.However, the baritone voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of the typical tenor voice.
This is particularly problematic when trying to apply the operatic terms, as the vocal types are more descriptive of vocal timbre and vocal facility than simple vocal range. For example, one category of voice in opera is a contralto, which is the lowest female voice in the operatic system. One of the qualifying characteristics of this voice is ...
The term tenor was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.
More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
A particular segment of the vocal range; A resonance area such as chest voice or head voice; A phonatory process; A certain vocal timbre; or; A region of the voice set off by vocal breaks. [3] Speech pathologists and many vocal pedagogues recognize four vocal registers: the vocal fry, modal, falsetto, and whistle. To delineate these registers ...
For example, the volume that a singer is able to maintain for dramatic effect will often influence which Fach (voice type) or tessitura they specialize in. For example, a lyric tenor may have the vocal range to sing Wagner or other dramatic roles, but to maintain the loudness required for dramatic intensity over the span of an opera performance ...