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Colossians 3:22-24 instructs slaves to obey their masters and serve them sincerely, in return for an "inheritance" [35] from God in the afterlife. Colossians 4:1 instructs masters to "provide your slaves with what is right and fair" [36] because God is in turn their master.
Minuscule 321, first page of Colossians. Colossians 1:14 (see Ephesians 1:7) απολυτρωσιν δια του αιματος αυτου (redemption through the blood of him) – 383 424 614 630 1505 1912 2200 2344* 2464 Byz pt (i.e., 76 206 221 223 330 876 1518 1611 1960 2005 2412) ℓ mss vg cl syr h arm slav Gregory Cassiodorus
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
In writing to the Colossians, Paul the Apostle sends greetings to them through a Laodicean named Nymphas and the church at their house (4:15). He additionally greets Archippus , who might also be from Laodicea (4:17), and he instructs the Colossians to exchange his letter with one he has written to the Laodiceans (4:16).
Colossae was located in Phrygia, in Asia Minor. [2] It was located 15 km (9.3 mi) southeast of Laodicea on the road through the Lycus Valley near the Lycus River at the foot of Mt. Cadmus, the highest mountain in Turkey's western Aegean Region, and between the cities Sardeis and Celaenae, and southeast of the ancient city of Hierapolis.
Similarly, though Paul envisions Christ's triumph over rulers and authorities as a future event (1 Cor 15:24), Colossians 2:15 acknowledges this as having already occurred. [28] Another intriguing distinction between the Colossian correspondence and the "7 authentic letters" is the lack of a financial request for the poor in Jerusalem. [29]
Douglas Moo, in his commentary about Colossians, writes this about Epaphras: "Little is known about him, though we can infer that he was a native of Colossae and that he was perhaps converted by Paul himself during the apostle's ministry in Ephesus. The mention of a co-worker at this point in a Pauline epistle is unusual, and the strength of ...
[3] The Hand of God symbol in the Ascension from the Drogo Sacramentary, c. 850. The Hand of God, an artistic metaphor, is found several times in the only ancient synagogue with a large surviving decorative scheme, the Dura Europos Synagogue of the mid-3rd century, and was probably adopted into Early Christian art from Jewish art.